Do, undo, do over
Ermanna Montanari in Teatro delle Albe
Laura Mariani
luglio 2017
Altre informazioni
translated by Thomas Haskell Simpson
140
FORMATO EBOOK .epub e .mobi; LINGUA inglese/english; 2017
ISBN: 978-88-7218-429-5A narrative journey-biography, portrait of the artist, chronicle of becoming—to examine in detail the raw material of an actress and of theater as it unfolds. Ermanna Montanari: a minute body that grows enormous on stage and a magnetic visage capable of expressing unlimited intensities; a voice that creates stage figures and becomes a musical instrument; an original language that encompasses every type of performance; microscopic precision and the magma of an infancy still vital in the language of dreams and the enigma of her native dialect. Laura Mariani, subtle analyst of theater and memory, portrays Ermanna in the weaving of art and life and in relation to Marco Martinelli, director and playwright and other pole in a complex alchemy. Mariani interrogates the figure of Ermanna through written and visual sources, unpublished notebooks and traces of the process of creation. A narrative journey—biography, portrait of the artist, chronicle of becoming—to examine in detail the raw material of an actress and of theater as it unfolds.
L'AUTORE
Laura Mariani
Laura Mariani insegna Teatro moderno e contemporaneo e Storia dell’attore all’Università di Bologna. Ha pubblicato “Sarah Bernhardt, Colette e l’arte del travestimento” (il Mulino, Bologna 1997), “L’attrice del cuore. Storia di Giacinta Pezzana attraverso le lettere” (Le Lettere, Firenze 2005) e, insieme a Claudio Meldolesi e Angela Malfitano, “La terza vita di Leo. Gli ultimi vent’anni del teatro di Leo de Berardinis a Bologna” (Titivillus, Corazzano 2010). Si è formata nell’ambito della Storia orale e della Storia delle donne, come testimonia il suo primo libro: “Quelle dell’idea. Storie di detenute politiche. 1927-1948” (De Donato, Bari 1982. Premio Letterario Nazionale “Vittime e Martiri di Sant’Anna di Stazzema”). Sta curando, con Ferdinando Taviani e Mirella Schino, “Pensare l’attore”, una raccolta di saggi e di frammenti inediti di Claudio Meldolesi.